4 steps to cosiness without clutter

 
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This late autumn, I would like to discuss how to achieve cosiness without clutter. Grey weather, cold wind and rainy days make us buy candles, cushions, blankets etc. Decorating your house with lovely little things is a usual pre-Christmas shopping mania. This short article aims to brainstorm how to make sure we don’t cover ourselves with layers of unnecessary stuff. 

First, I think we should understand what cosy means to us and how we perceive it. What is cosy? Comfort, relaxation, warmth, rest, shelter, snug are all words that define this feeling. There are many more too. The key is that it is a tranquil setting that gives us a sense of security and stillness. It can be achieved by rightly organising light, colours, materials and textures.

Natural materials and colours, for instance, chestnut or walnut, create a warm welcoming atmosphere. Tactile experience can be added through textured upholsteries and mood can be controlled by freestanding lamps – both floor and table. A well-chosen rug can be a winning solution, giving warmth to a large area yet not filling the space in an obvious way.

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Next, let’s understand how do we perceive clutter. What is clutter? An untidy collection of many different things that communicates a messy disorganised state of being. Some might find being surrounded by clutter stressful, but for others the experience can feel quite comfortable. However, often it is the lack of focused organised action that lets clutter grow. Once all small things start piling up, they create physical and psychological barriers, that make it harder to see the difference between cosy and chaos.

Eventually, having discussed cosy clutter concepts above, here are some conclusions. I propose 4 steps to achieve an organised peaceful setting. 

1.     Imagine

A helpful thing to start with is to imagine what your perfect space looks like. Can be as easy as closing your eyes and trying to see as much detail as you can, whilst walking through your dream home. Pay attention to colours, textures, objects, both large furniture and smaller accessories.

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2.     Focus

Once you have had a tour through your ideal cosy space, focus on particular details which gave you most satisfaction and caught your longest attention. What was the light like? What were the colours and how bright was the space? Was there any particular object that you really liked? This will help you identify your first steps and really pinpoint priorities of where to start. It will also be useful when later you will be shopping for new items, or selecting from the existing ones.

3.     Filter

Now it is time to look at the real room that you are in and divide your things into 3 groups: starting to choose from what really makes you feel good and brings lots of joy and comfort; second group is things that gave you slight hesitation; and lastly everything that is left behind in this prioritising exercise. However, you don’t have to throw things from the last group away, you can either put them into another room, sell online or gift them away to charity. This will not only clear up your space and give you pleasant restful space to enjoy, it will also do some good by sharing your goods that you don’t need with somebody who does.

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4.     Apply

Sometimes it is a matter of moving things around and rearranging your existing possessions. Sometimes, it requires more critical action, which you can train yourself to enjoy. Once you are used to having only what really matters around you, it will be natural to appreciate the less crowded space.

With all this in mind, I’m off to have a seasonal clear out and, hopefully, you feel encouraged too. Good luck!

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6 why’s we draw inspiration from history

 
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More often than not we are looking for inspiration from the past to sprint our ideas off in the unknown direction. This approach can be torn apart by many contradicting opinions of whether it is thorough or it is unimaginative and actually hinders designer’s creativity. Frankly, it depends of how literally ideas are interpreted into the new concept, but most importantly how strong and visionary this concept is. This article reveals how to get the most out of the inspiration boards and use past models to underpin new original schemes.

Historical references, precedent studies and inspiration boards are pooled together to describe all precedent content that we use for building the story. So, diving straight into why it is so important not to skip the storytelling or narrative phase in the project development, we emphasise the following 6 reasons:

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1. Learning lessons

Being such far-reaching resource, there is plenty to discover, but not only it is a place to study the best ideas, it also is a place to learn what not to do. It is not any less important, because a comprehensive study of relevant examples reduces chances of disappointing results in the future. Lessons don’t always have to be learnt from your own mistakes.

2. Relevance to location

Storytelling inspired by concepts, events and meanings from the past is a very powerful tool to create something exceptional. Links between present and past help us imagine new original ways to approach design. Particularly, location linked historical references give weight and value to new proposals. Very big role is played by interpretation, which is a great skill unique to each individual.

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3. Layers of interest

With such easy access to information, once the research has started it is really hard to stop digging. There always are more stories and meanings linked to any concept than you have ever planned to find out. The designer is the only one in control and has to be able to filter concepts for inspiration and know when to stop. Ultimately, curiosity is the driver here and it can get very addictive. But, quite often, inspiration comes from looking at something completely unrelated, so let’s bare the risk and enjoy the process.

4. Material palette

Cultural relevance can be expressed strongly through materiality. Tactile and visual associations are at the very heart of what we feel in any space. The experience of design through direct contact with materiality, that is inherited from the past or is inspired by the relevant bits of history, is very easy to connect with. Anything that allows us to start thinking of how things came together and to connect the dots between the place and the design into a story is a sophisticated type of experience that people will remember.

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5. Romantic concepts

Dreamy imaginative motifs capture our emotion and hence reaction to the designed space. Our mind wonders away on a creative journey and lets us enjoy it from a very personal perspective. This is the kind of added value that is hard to capture but yet very clearly identifiable through experience.

6. One step further

Inspiration does not appear out of nowhere. Designers have to be looking around and learning from both past and present. Discrete links and subtle parallels can be formed when its least expected. Fascination can inspire great things. It motivates to create something amazing and strive to supersede the precedent. 

 We keep discovering more and more perks of doing research as we go along. All of the above overlap and merge into one argument to why we let our curiosity delve into the density of precedent study: Inspiration is an emotion-borne artefact and emotions ought to be borne out of experience.